The view into “infinity” gives freedom! Man lives in his narrow temporal space and, with his mind focused only on the supposedly ‘real’ sensory world, grasps only the outside of his being: he loses himself in the multiplicity of things. A feeling for the cosmic interconnectedness of all beings has been lost. In the prison of materialism, man cannot free himself from such polarity—that is why he is ruled by strife, war, egoism, lust for power, and possessiveness. The three musical works on this CD offer a glimpse into the liberating infinity beyond things: In THE BIRDS, the world of birds is evoked—even according to principles of mystical alchemy—which are evolutionarily related to dinosaurs and have always been associated with deities, divination, and boundless celestial freedom. In FATAL HARMONIES, the deadly harmonies of the Renaissance composer Carlo Gesualdo, the exaggerated disruption of a contradictory existence is presented, death and negative energies are diametrically opposed to bold genius—extreme light begets extreme shadow in polarity. THE BELLS traces the archetype of bells, whose sound has been waking people up for thousands of years, leading them to transcendence and infinity. With the end of material thinking, of earthly persistence in polarity, judgment, and comparison, PEACE could come—because in the face of eternity and infinity, good-evil or mine-his have lost all meaning. This is why the theme of ‘peace’ takes center stage twice on this CD—in the concluding ‘Dona nobis Pacem’ and in the middle movement ‘The Swan - The White’ of the violin concerto, because this is based on the peace hymn ‘El Cant des Ocells’ (Song of the Birds) by the Catalan cellist and humanist Pablo Casals, which he played as an encore to every concert throughout his life.