Lee Montgomery's surprising stories capture moments in women's lives when, pushed to the edge, they teeter between the complete bewilderment of loss and the lurking possibility of found. These are not stories about diets, designer jeans, and bad boyfriends; these are stories that dismantle the fabric of convention to reveal the raw interior worlds of women who have come of age on the heels of Betty Crocker and in the hem of Betty Friedan. Montgomery's characters blow drugs and boys, advise friends who are dying of AIDS about pennies in penny loafers, write letters to Caroline Kennedy, and fall in love with movie stars. Some lose themselves to ambivalence while contemplating motherhood; others find themselves soothed when, after hearing of the sudden death of a dear friend, they seduce a stranger. In the story ""We Americans,"" a woman abandoned by her husband grows so vulnerable, she internalizes TV news tragedies by developing hives in the shapes of foreign countries. In the title story, ""Hannah"", a speed freak working the graveyard shift in a nursing home, falls in love with a quadriplegic who, void of feeling in his limbs, feels things that Hannah cannot. In ""Avalanche,"" an editor to movie stars in Beverly Hills struggles with how to reconcile her own story with the fairy-tale endings of celebrity culture. Tender, poignant, and at times hilarious, the women in ""Whose World Is This?"" turn common notions of love, compassion, and tradition upside down as they show us how vulnerability, although dangerous, is what makes life astonishingly beautiful and reality strangely unreal. 2007 John Simmons short fiction award