Composed in 1680, Proserpine marks the reunion of Jean-Baptiste Lully and Philippe Quinault after the scandal surrounding Isis (1677). Set in the splendour of Saint-Germain, the work offers a mythological mirror to the Dauphin’s wedding. In it, Lully revolutionises his art: the orchestra becomes the driving force of the drama, while the voices gain in expressive intensity. Under the baton of Christophe Rousset, Les Talens Lyriques revive this gem, in which the fate of a captive queen and the splendour of restored peace unite in immortal harmony.